Why Stock Photos?
The short answer is that we use stock photos on some listings to save us time and to save you money. The longer answer is that we love to take photos of each and every lens, camera, and accessory, but doing so takes a lot of time and makes it difficult to get everything listed. So, we decided to compromise: take gorgeous photos of some things and charge a little more for them, and use stock photos for other items and charge a little less for those, all else equal.
The items listed here were tested thoroughly by our trained technicians. If they observed any significant flaws, you’ll see them detailed above. If the items listed here are exceptionally awesome, you’ll see that noted above too. Regardless, please remember this is a used item and it’s bound to have at least a microscopic imperfection.
If you're interested in purchasing an item with specific photos and ratings, we don’t blame you one bit. Please visit one of our specific product listings (if available), usually marked with a serial number. If none are currently available, by all means, contact us.
The Canon 16-35mm f/2.8L II
The Mark II is a very good wide-angle, f/2.8 zoom. The lens is reasonably sharp at the edges and corners and relatively flare resistant. There is a little distortion at extreme wide angle shots, but nothing that isn’t easily corrected in post processing. That being said, if you don’t need the f/2.8 aperture the Canon 17-40 is it’s equal in resolution, perhaps a bit more flare resistant, and far less expensive.
This was a very good wide angle zoom when first introduced. It’s still considered very good, although certainly not the caliber of the Nikon 14-24 f/2.8 lens.
If you’re doing landscape work and shooting at f/4 or higher, the Canon 17-40 will provide every bit as good of an image at a lower cost. If you’re shooting on a crop sensor camera (T3i, 7D), the 17-55 f/2.8 IS EF-S offers nearly as good an image quality, plus the added benefit of image stabilization. If you need to go as wide as you can get, the Canon 14 f/2.8 is wider with better image quality and less distortion. And if you don’t mind a bit more distortion at the wide end and are not concerned about sunlight flaring in the image, the Tokina 16-28mm f/2.8 is at least as sharp as the Canon at a better price.
All of this isn’t meant to sound negative. The Canon 16-35 travels with me everywhere because I need the convenience of a zoom, and sometimes I need f/2.8 on my full-frame. In my mind, the 16-35 II is to the wide end what the 100-400 IS is to the long end: a very good do-it-all lens. There are specific lenses better for specific tasks, but the 16-35 is good at everything.
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We offer a 3-day inspection period on all sales, during which time you may return the item for a refund of the purchase price, not including shipping.
Finally, if you select the two-year lens warranty, you'll get additional protection from Consumer Priority Service ("CPS"). The two-year warranty will take effect after our 90-day warranty ends. Click the link below for all the details: