Why Stock Photos?
The short answer is that we use stock photos on some listings to save us time and to save you money. The longer answer is that we love to take photos of each and every lens, camera, and accessory, but doing so takes a lot of time and makes it difficult to get everything listed. So, we decided to compromise: take gorgeous photos of some things and charge a little more for them, and use stock photos for other items and charge a little less for those, all else equal.
The items listed here were tested thoroughly by our trained technicians. If they observed any significant flaws, you’ll see them detailed above. If the items listed here are exceptionally awesome, you’ll see that noted above too. Regardless, please remember this is a used item and it’s bound to have at least a microscopic imperfection.
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Nikon 16-35mm f/4G AF-S ED VR
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The Nikon 16-35mm f/4G AF-S ED VR
The Nikon 16-35mm f/4 VR is a professional-quality, full-frame f/4 lens. Featuring Nikon’s Vibration Reduction technology, this lens provides the ability to shoot at shutter speeds up to four stops slower than would otherwise be possible.The complex optical design features Nikon’s exclusive anti-reflection Nano Crystal coat, two ED glass elements, and no less than three aspherical glass elements to minimize distortion and aberration even at maximum aperture. The VR system and Silent Wave Motor deliver extremely quiet operation, and the nine-bladed rounded diaphragm renders delightful bokeh.
Well, it’s everything I had hoped for but unfortunately a bit more.
First the great: it’s relatively small, so it’s convenient to carry in a bag or pack. It’s as sharp as you could ever hope, autofocuses quickly, and the VR is spectacular (shooting at 1/6 second, I’m getting nice, sharp images). It’s a great all-around ultrawide, and its ability to take filters gives it an advantage over even the legendary Nikon 14-24mm f/2.8G ED AF-S.
There’s a downside though: at 16mm the barrel distortion can only be described as “nearly fisheye.” It’s much less at 18mm and gone by 20mm. Barrel distortion is, of course, easy to fix in Photoshop or your image processor of choice, but this needs to be mentioned. The corners are soft at the wide end at 16mm, and the lens is a bit soft at 35mm.
How important this is will depend on what you’re planning to shoot and if you’re willing to spend some time postprocessing the images. I don’t shoot a lot of buildings, so it won’t bother me much, but I wouldn’t recommend this lens to someone who’s going to shoot a lot of architecture.
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Finally, if you select the two-year lens warranty, you'll get additional protection from Consumer Priority Service ("CPS"). The two-year warranty will take effect after our 90-day warranty ends. Click the link below for all the details: