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The short answer is that we use stock photos on some listings to save us time and to save you money. The longer answer is that we love to take photos of each and every lens, camera, and accessory, but doing so takes a lot of time and makes it difficult to get everything listed. So, we decided to compromise: take gorgeous photos of some things and charge a little more for them, and use stock photos for other items and charge a little less for those, all else equal.
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Zeiss ZE 25mm f/2 Distagon for Canon
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The Zeiss ZE 25mm f/2 Distagon for Canon
The Zeiss ZE 25mm f/2 brings the 25mm focal length to the Canon EF mount. While the previous f/2.8 version was available in other mounts, the ZE version was never made. The ZE 25mm f/2, if using the Zeiss 25mm f/2.8 as a basis, has been greatly improved. Despite the design overhaul, the lens still maintains its Distagon roots. Through the addition of two aspheric lens surfaces, the field curvature that was so noticeable on the previous version has been eliminated. This also makes chromatic aberrations virtually non-existent. Thanks to a floating element design, distortion is no longer a concern. This makes the 25mm f/2 ideal for architectural photography, as well as any other application where distortion-free images are a must. Like all other Zeiss SLR lenses, the 25mm f/2 has the Carl Zeiss T* anti-reflective coating, which enables high-contrast images and wonderful color saturation.One key difference that should be pointed out is the Zeiss 25mm f/2 doesn’t focus as close as the f/2.8 version. This makes the focus throw of the f/2 version seem shorter. However, if you take into consideration the difference in focus distance, the effective throw is the same. The barrel of the lens is larger, so the focus ring diameter is also. For video shooters this will be a welcome change. Like all other ZE lenses, you have full aperture control from the camera.
It’s really, really good. That should about cover it. Oh, you want details? OK.
It’s an interesting lens. Unlike previous versions in this focal range, there is very little field curvature (unlike the 25mm f/2.8). In terms of pure resolution it’s superb, generating numbers in our testing similar to the legendary 21mm f/2.8. Sharper than the Nikon or Canon 24mm f/1.4 lenses when shot at f/2.0. Sharper than any 35mm, 50mm, or 85mm lens we stock at f/2.0. And that’s both in the center and overall (weighted average) sharpness.
But there’s a bit of a catch: that’s for testing at middle distances (10 to 25 feet). But at infinity (where the MTF charts are made) it doesn’t seem quite as good (it’s still good, but not amazingly good), so there are probably better choices for landscape work. But 25mm isn’t really a landscape focal length for most people, it’s more for reportage, street shooting, architecture, and video work. For these purposes, at middle distances, I’m not sure there’s a better lens available.
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We offer a 3-day inspection period on all sales, during which time you may return the item for a refund of the purchase price, not including shipping.
On this item, we include a LensAuthority 90-day limited warranty. This warranty covers damage that arises from normal use of the item. It does NOT cover accidental or intentional damage. More details are available in our FAQ section.
In addition to the standard 90-day warranty, you may have the option to purchase an extended warranty. If we're able to offer an extended warranty on this item, you'll see a checkbox to add that warranty - see the area just above the "Add to Cart" button.
If you select the extended warranty, you'll get additional protection from Consumer Priority Service ("CPS"). The CPS warranty will take effect after our 90-day warranty ends. However, the CPS warranty term would begin on the date of purchase. For example, if you buy an item with a 2-year extended warranty today, your coverage would end two years from today. Click the link below for all the details: